MCD401 Handouts by VU C
- Type
- Handout
- Course
- MCD401 Camera basics, principles and practices
- Size
- PDF 4.8 MB
- Updated
- 23 Oct 2026
You get 3 free files a day on the website. Add the Chrome extensionSign in with the extension for 30 a day.
Preview text
Text from pages 2, 3, 4 of 387. Download the file for all 387 pages.
Photography is a fun form of art and many people are engaged in it. This is because of the wide form of artistry it can create with the uniqueness of every shot. People around the globe have appreciated the aftermaths of amazing photography. Do you know what makes these photos look amazingly stunning? It is because of the photography composition each one has.
It would indeed be futile if you take shots without considering photography composition. You will not be able to give your images a perfect beauty without it. There are some photography composition techniques that one can do but it is the photographer’s touch and creativity that makes each output unique.
- It creates more appealing photos
- To deliver a more convincing story
- It looks more professional.
- It has balance
- It makes unique pictures
- It shows a personality.
- It adds more life to images
- It allows you to capture the essence of an image.
- It allows you to capture the essence of an image
- It awes the viewers.
Macro photography is extreme close-up photography, usually of very small subjects, in which the size of the subject in the photograph is greater than life size. By some definitions, a macro photograph is one in which the size of the subject on the negative or image sensor is life size or greater. However in other uses it refers to a finished photograph of a subject at greater than life size.
The ratio of the subject size on the film plane (or sensor plane) to the actual subject size is known as the reproduction ratio. Likewise, a macro lens is classically a lens capable of reproduction ratios greater than 1:1, although it often refers to any lens with a large reproduction ratio, despite rarely exceeding 1:1.
Apart from technical photography and film-based processes, where the size of the image on the negative or image sensor is the subject of discussion, the finished print or on-screen image more commonly lends a photograph its macro status. For example, when producing a 6×4 inch (15×10 cm) print using 135 format film or sensor, a life-size result is possible with a lens having only a 1:4 reproduction ratio.
Reproduction ratios much greater than 1:1 are considered to be photomicrography, often achieved with digital microscope (photomicrography should not be confused with microphotography, the art of making very small photographs, such as for microforms).
Due to advances in sensor technology, today’s small-sensor digital cameras can rival the macro capabilities of a DSLR with a “true” macro lens, despite having a lower reproduction ratio, making macro photography more widely accessible at a lower cost. In the digital age, a "true" macro photograph can be more practically defined as a photograph with a vertical subject height of 24 mm or less.
Macro" lenses specifically designed for close-up work, with a long barrel for close focusing and optimized for high reproduction ratios, are one of the most common tools for macro photography. (Unlike most other lens makers, Nikon designates its macro lenses as " Micro" because of their original use in making microform.) Most modern macro lenses can focus continuously to infinity as well and can provide excellent optical quality for normal photography. True macro lenses, such as the Canon MP-E 65 mm f/2.8 or Minolta AF 3x-1x 1.7-2.8 Macro, can achieve higher magnification than life size, enabling photography of the structure of small insect eyes, snowflakes, and other minuscule objects. Others, such as the Infinity Photo-Optical's TS-160 can achieve magnifications from 0-18x on sensor, focusing from infinity down to 18 mm from the object.
Macro lenses of different focal lengths find different uses:
Continuously-variable focal length – suitable for virtually all macro subjects
45–65 mm – product photography, small objects that can be approached closely without causing undesirable influence, and scenes requiring natural background perspective
90–105 mm – insects, flowers, and small objects from a comfortable distance
150–200 mm – insects and other small animals where additional working distance is required
Difference between macro micro and close up photography
Macro photography is that which is taken with a dedicated macro lens. A real macro lens has the capability of achieving in the least a 1:1 magnification. Just because a camera has the word macro written on it, doesn’t make it a true macro lens.
Close up photography, is the act of photographing objects such as flowers or insects in close range so the subject you are photographing fills the frame. In other words, it’s the act of photographing subjects close up. This is easily achievable with any lens, even a 300mm telephoto lens.
Macro photography is in essence close up photography as well. However, close up photography is not always considered as true macro photography. For example, if you have a lens that is NOT considered a real macro lens, yet offers a macro setting (as many do nowadays), this is usually referred to as being close up photography, and not true macro.
Related MCD401 files
All MCD401 files →- MCD401 Final Term Topics by A and I Final term PDF 870 KB
- MCD401 Grand Quiz Quiz PDF 3.5 MB
- MCD401 Final Term Topics by VU Topper RM Final term PDF 101 KB
- MCD401 Midterm Important Questions Midterm PDF 304 KB
- MCD401 Final Term Notes by VUBuddy Final term PDF 2 MB
- MCD401 Final Term Past Papers by VUBuddy Final term PDF 2 MB
Get more out of VUBuddy, for free
- Unlimited downloads
- The explanation behind every MCQ answer
- Study offline on slow data
- 30 downloads a day instead of 3
- Sign in and buy Pro Semester here
One Pro Semester membership works in both the extension and the app.